Books Read 2022

 Predictably, working at the library has had me reading even more voraciously than ever. Every time I'm shelving or handling returns, I spot stuff I want to read. I can't check all of it out at once, so now my cellphone has a number of pictures on it of book covers and spine labels as I try to at least catch a reminder of books I want to read when I get the chance so I can find them in the stacks later. This year's list covers nearly 4 pages in my notebook, outpacing all previous years.

(GN) denotes graphic novels

Sure, I'll be your Black Friend - Ben Phillippe

Bone 1: Out from Boneville (GN) - Jeff Smith

The Story of King Arthur & His Knights - Howard Pyle

The Lost Years of Merlin - T.A.Barron

The Seven Songs of Merlin - T.A.Barron

Kermit & Cleopigtra - G. WIlliams

Le Morte D'Arthur (Middle English) - T. Malory

World Without End - Ken Follett

The Green Man (Short story collection) - Various

The Pillars of the Earth - Ken Follett

I am Not Starfire (GN) - Mariko Tamaki

An Excellent Mystery - Ellis Peters

Draw Your Day - Samantha Baker

Lugosi (GN) - Koren Shadmi

Medieval Bodies - Jack Hartnell

The Hollow Places - T. Kingfisher

In Calabria - Peter S. Beagle

The Sculptor (GN) - Scott McCloud

The Explorer's Guild - Jon Baird & Kevin Costner

GhostBusters International 1&2 (GN) - Erik Burnham

Total Containment (GN) - Erik Burnham

God of Neverland - Gama Ray Martinez

Born a Crime - Trevor Noah

Likely Stories (GN) - Neil Gaiman

Sandman Overture (GN) - Neil Gaiman

Down Among the Sticks and Bones - Seanan McGuire

The Chinatown Death Cloud Peril - Paul Malmont

The Golden Vulture - Lester Dent

Noir - Christopher Moore

Front Desk - Kelly Yang

Good Asian (GN) - Pornsak Pichetshote

Doomboy (GN) - Tony Sandoval

Together We Will Go - J. Michael Straczynski

Razzmatazz - Christopher Moore

A Dirty Job - Christopher Moore

Bone Complete Series (GN) - Jeff Smith

Secondhand Souls - Christopher Moore

Gaugin, The Other World (GN) - Fabrizio Dori

Some Kind of Happiness - Claire Legrand

The Story of Diva and Flea - Mo Willems & T. DiTerlizzi

Dragons at Crumbling Castle & Other Tales - Terry Pratchett

Charlie and the Grandmothers - Haty Towell

The Inquisitor's Tale - Adam Gidwitz

Race to the Bottom of the Sea - Lindsay Eagar

Bayou Magic - Jewell Parker Rhodes

The Raven and the Reindeer - T. Kingfisher

Hook's Revenge: The Pirate Code - Heidi Schulz

Keeper - Kathi Appelt

Castle Hangnail - Ursula Vernon

And the Ocean Was Our Sky - Patrick Ness

Whalesong - Robert Siegel

Deep Wizardry - Diane Duane

Capt. Hook - J. V. Hart

Princeless #1 (GN) - J. Whitley & M. Goodwin

The Truth is a Cave in the Black Mountains - Neil Gaiman

American Gods #1 (GN) - Neil Gaiman

Max Tilt: Fire in the Depths - Peter Lerangis

Princeless #2-4 (GN) - Jeremy Whitley

Bone: Quest for the Spark (GN) - Tom Sniegoski

Sandman: Preludes & Nocturne (GN) - Neil Gaiman

Sandman: Dream Country (GN) - Neil Gaiman

Sandman: Season of Mists  (GN)- Neil Gaiman

Sandman: A Game of You (GN)- Neil Gaiman

WolfWalkers (GN)  - Sam Sattin

Lalani of the Distant Sea - Erin Entrada Kelly

Museum of Thieves - Lian Tanner

Sandman: Fables & Reflections - Neil Gaiman

Sandman: Brief Lives - Neil Gaiman

Sandman: World's End - Neil Gaiman

Sandman: The Kindly Ones - Neil Gaiman

Sandman: The Wake - Neil Gaiman

Queen of the Sea (GN) - Dylan Meconis

The Sleeper and the Spindle - Neil Gaiman

The Daughters of Ys (GN) - M.T. Anderson & Jo Rioux

Dead Endia: The Watcher's Test (GN) - Hamish Steele

The Real and the Unreal (Collected Stories) - Ursula K. LeGuin

Labyrinth Lost - Zoraida Cordova

Wingbearer (GN) - Marjorie Liu & Teny Issakhania

The Heartless Prince (GN) - Angela DeVito

The Crumrin Chronicles VI (GN) - Ted Naifeh

Ghostland: An American History in Haunted Places - Colin Dickey

Garlic & the Vampire (GN) - Bree Paulsen

Anthony Bourdain's Hungry Ghosts (GN) - Various

Dead Water - C.A. Fletcher

Incredible Doom (GN) - Matthew Bogart & Jesse Holden

Bone: Coda (GN) - Jeff Smith

Beautiful Darkness (GN) - Fabien Vehlmann & Kerascoct

Chivalry (GN) - Neil Gaiman & Colleen Doran

Pixie & Brutus: Gnome Sweet Gnome (GN) - Ben Hed

Incredible Doom 2 (GN) - Matthew Bogart & Jesse Holden

Cemetery Boys - Aiden Thomas

A Study in Emerald (GN) - Neil Gaiman

Castle in the Stars #1-3 (GN) - Alex Alice

Maiden & Princess - Daniel Haack & Isabel Galupo

Odd & The Frost Giant - Neil Gaiman

Saga #1-3 (GN) - Brian Vaughan & Fiona Staples

Wet Moon #1-5 (GN) - Sophie Campbell

The Chinatown Death Cloud Peril by Paul Malmont

 I came across this one in the stacks and was immediately fascinated. As a longtime fan of The Shadow pulps, I'm familiar with the original author Walter Gibson, and also Lester Dent whose primary work was Doc Savage, but who also lent his pen to bring The Shadow to life. The Chinatown Death Cloud Peril is a rollercoaster of weird loosely plausible scifi and pulpy action, but it doesn't feature The Shadow or Doc Savage. Instead the main players are the author's themselves, getting tangled up in the kind of mystery and mayhem they can use to fuel their work, with one Ron Hubbard also along for the ride. 

It starts with the death of H.P. Lovecraft, whom our pulp authors loosely know mainly through his letters, since he's not as successful commercially as they are. Walter Gibson goes to attend his funeral, and it turns out there's some weird mystery surrounding what may have been a murder rather than a death from stomach cancer, and our authors just can't leave that kind of mystery alone because a good story needs unraveling. There's a lot of politics behind it all, with the advance of Chiang Kai-Shek and the Japanese forces invading China, and the more personal private battle between Walter Gibson and Lester Dent over a real Shadow story that was eventually published as a collaboration. 

This story is too pulpy and sci-fi to be just historical fiction, but also too accurate historically to be dismissed as a pure flight of fancy. As Walter Gibson would say, 'you tell me where real ends and the pulp begins.'

Mermay

 

Been busy doing stuff for the market, where we've been selling art and plush dolls again since last fall. We're trying to do monthly themed stuff and last month was the bunny blitz because of Easter, and then this month is MerMay. Bridgie started the mermaid drawings and then I felt like I should keep up, so now we've put together a coloring book that's half her art and half mine. Apparently my mermaids lean towards the less human and more weird.

Lionfish

I'm not about to post them all here, but I did do a couple that were more human, but I did sort of make a list of weirder fish because how could I not? 

Blobfish 

Bridgie made some mermaid dolls too, and I helped stitch them together so she could do the faces and hair, so I guess all the stuff for this month is kind of a joint production.

Mola Mola

Coelacanth with australopithecus upper half

Ye Rykrol

 

Medieval animal knights

 

Still on a Medieval kick, and just wanted to share some recent sketches that were mostly done at work. Should probably add color to these eventually.

Did you know there were 150 knights of the Round Table when it was full?

 

So this one took me a while, but I worked my way through Le Morte D'Arthur in Middle English, and as if to emphasize that I am now surrounded by nerds, one of my coworkers mentioned that he had also read through this version. Middle English is not unfathomable to the Modern English speaker, but it hails from an era where spelling was optional and the sentence structure was somewhat different. One thing I noticed was that some of the grammar and sentence structure felt more like French or Spanish than Modern English today. There are also plenty of archaic words that sent me to the glossary or the internet. One thing I will say for this particular translation, it has lots of annotations but they are not good annotations, and looking at reviews online I saw that sentiment shared. There were frequent footnotes where 'of' meant 'off' or 'the' was missing in the sentence, simple details that could be easily gleaned from context, but then where some utterly archaic word was presented there would be no footnote at all and at times the term would even be omitted from the glossary in the back.

That said, it was still rewarding to read the original, complete with Thomas Malory's plea at the end of each section for people to pray for him in prison, from where he wrote the whole thing. 

I've been on a medieval kick since before Christmas, and as a result decided it was time to make myself a roughly accurate knight costume, so that's been a long-term project for several months. I cheated on the pants because the ones from my pirate costume look accurate enough once they're mostly covered by all the other parts of the costume. King Arthur himself, inasmuch as he was ever possibly based on a real person, would have lived somewhere in the 5th/6th century A.D. in an era when plate mail was not yet a thing.

There would have still been a heavy Anglo-Saxon influence to the clothing of the time, even though the saxons were the very group he would have fought against. Cotton was not yet used much at all, and the favored cloth would be linen and wool. Unfortunately I was frustrated in my attempts to buy linen locally, as the selection was limited to white or off white, so I bought two yards of a goldenrod color and three yards of a beautiful deep green from an Etsy seller. This amount of fabric left me with very narrow margins for error, but the patterns of the middle ages were designed for just that, as they had to design them to use every bit of material they could get. The early medieval tunic is simple and geometric, with very wide shoulders and a flare with side slits at the bottom. The surcoate was a similar design, just longer and without sleeves, and usually additional slits in front and back to allow for more easily mounting/dismounting from a horse. Sadly, I do not have a horse to pose with in costume, although I'd happily jump at the chance. Well not literally. I'd use the stirrup to mount up appropriately. I do know how to ride a horse.

Over the lower half of the legs a commonly worn piece of clothing were wininga or leg wraps, and this is an article that definitely hails from the saxons and vikings. Usually made of wool, this can be as simple as just a long strip like a wide ribbon, anchored in place by being tucked into itself or with a little bit of cord wrapped overtop for extra security, or can get as fancy as having little metal hook closures for just below the knee. Either way they are wrapped starting with a loop around the arch of the foot, then he ankle, and then wrapped up the leg in a spiral from there. I have leather shoes as a work in progress, using a pattern based from those found at various dig sites such as Sutton Hoo, but in the photos I just used my slippers which honestly don't look too far different from that much older design. 

Overtop the tunic but under the surcoat is where the primary piece of armor of the era would go, and before the advent of plate mail a knight would be lucky to have a full chain mail shirt, or hauberk. Some may have only had leather or padded cloth, and scale mail shorts were also used during this time period. Chain mail was the most expensive option due to the sheer amount of labor involved in producing it, and not all chain mail shirts had full sleeves this long. While I have worn a full chain mail short before (I had some weird friends in High School), and it is possible to find modern reproductions online, I decided they were cost-prohibitive. What I am wearing here is actually knitted from a heavy grade yarn, by a seller on Etsy who goes by CenturiesChest. It was still not cheap, nor should it be, because there's still a fair amount of labor involved, but it is lighter and cheaper than something made of wire/metal.

The ring belt was also purchased from Medieval LeatherShop on Etsy, but costume geek that I am, the rest is stuff I already had around, including my choice of sword. Most of my swords are of later designs, so the best fit was this viking-style sword with the shorter crossguard. It has a full leather scabbard, but the methods of hanging a sword from the belt at this time were very simplified, and at times the scabbard itself was simply hung directly from the belt itself with a small hook near the top to keep it from slipping through. Sword hangers later on became more complicated with extra straps and buckles, but this was a time before buckles and the hanger used here is simply two loops of leather stitched together, one around the scabbard and the other around the belt. 

I have plans to add a coat of arms to the surcoate, an applique of a white stag. The coat of arms was a large part of the purpose of this garment, as it identified the knight even at a distance on the battlefield/in a tournament. I may go back and buy a knit chain mail hood and make a period-accurate style helmet from EVA foam, but lacking these I feel like my current hair looks good in context. I haven't had a haircut since the pandemic started, so this is what two years of no haircuts looks like. The trickiest part of this whole outfit thus far was the collar of the tunic. I kept trying to add the green trim in one piece, and ultimately just had to do one long strip around it and fiddle with the bit where it dips down in a notch in the front. We'll see how sewing the leather shoes goes, yet, but it's not bad for a work in progress.

Update on the new job

 I've been adjusting to the new job at the library- the start was something of disaster, since my official start date was supposed to be January third, when heavy snows shut down the city and all the government offices, so I actually had my orientation and first day a little later than planned. Working at the library is amazing, though! It is full of geeks and nerds, so I'm right at home. There isn't a single coworker I don't like, and the work environment is so much healthier than what I'm used to that I'm actually still adjusting to that. I get sick days which I am supposed to take without guilt, because we're not understaffed, and I am accruing vacation time. I am still very grateful to the vet job, and I left on good terms. My boss did what she could for us, and worked just as hard or harder than anybody else, but it is simply the nature of a small privately owned business with a narrow profit margin, vs a government job. 

Also, I am around books all day. Not every day, because this job is actually part time, but I've already taken to snapping photos of covers while I'm out in the stacks so I something to refer back to when I'm looking for what to read next. I'm working in circulation, which means we're the people who keep the books moving around, getting where they need to be. Every hour we switch tasks, and because our location is kind of rural and quiet, some of those tasks have more downtime than others. Drive through, for instance (pictured here. Also, holy crap there's a drive through pickup window for books you put on hold) means sitting at the window and possibly only having a couple patrons come through in that time. What do you do while you're hanging out there? Well different people have different hobbies, but mostly I read. I've already started flying through books at an alarming rate. It reminds me a little of High School, where I hit a point when I mostly read through my classes.

Somehow I still pulled a B average, but I don't know whether that speaks to my ability to do homework fast and listen while also reading, or if it's just that there was such a bare minimum expected of us as students. Anyways...

Art and book posts coming, because I've been working on a fairly substantial project, but in the meantime I just want to say how amazing it is here. It's a beautiful building, set into a hillside so that it's one story in the front but two stories in the back, with huge windows overlooking a nature trail alongside woods and a stream. It's pretty enough in winter, I can't wait to see how it looks once spring fully sets in.