Showing posts with label sewing. Show all posts
Showing posts with label sewing. Show all posts

Monday, September 5, 2011

I didn't really mean for this to turn into a general art blog.
Delwin has a glow beetle!
I guess I'm just rolling with it, though, and I will try to resume the 365 projects but it's kind of nice to have somewhere else to share my general art, too. I have been busy. On the drawing front, I joined an online RP that's very art-centric, reusing an old character of mine, a little centaur boy named Delwin.
He's kind of challenging to draw, because I struggle with drawing children, but he's fun to play because the psychology of kids is fascinating. I guess I'll be drawing him a lot, and I'm pushing myself to do more digital painting experimentation with him.

In other not-so-fun news, all of my artistic output has been severely dampened for weeks and weeks now by an outbreak of hives. We think it's an allergic reaction to a new medication, which I have since stopped taking, but there's apparently no good timetable for how long it takes to work its way out of your system.
If it's not a reaction to the medication, then it means I've spontaneously developed an allergy to something that's consistently in my environment, and that will be utter hell to work out. I'm currently on my second dose of Prednisone to try to shake this off. A lot of the hives are on my arms and hands, which has made it almost impossible to so much as hold a pencil, some days. Using scissors is hard. I can't practice the guitar. It's obnoxious and frustrating and makes me want to be creative all the more just because I'm having so much trouble physically doing anything.
And yet, I've still been managing to get stuff done, sometimes painfully. Inspired by the cubed bird, I've been making these guys we've dubbed 'SquareCrows' to sell for Halloween, both at the local Farmer's Market and on our Etsy shop. The largest there is a cube three inches to a side, the medium-size one is a two-inch cube, and the tiny one is one-and-a-half inches to a side because I cut out a one-inch square and took one look at it and decided I'm not quite that insane. They're all felt, all hand sewn with embroidery floss because we were out of orange thread, and I've been scrounging for button eyes. We did find these packs of teeny tiny buttons that work for the littlest one, and may have to break down and buy a pack of buttons for the others because I've pretty much run our miscellaneous bags/jars of buttons out of orange. I've gotten lots of squealing comments and had a commission for a full trio plus one extra of the largest ones. Anybody who sees them here and wants some, drop me a line, because I'm still at work on more.
Mostly I'm grateful my hives today are mostly on the backs of my hands and I can still work...

Friday, August 12, 2011

In betweener art

I know I need to make time for daily 365 projects again, but life is keeping me busy. Two days a week get pretty much eaten up with the local Farmer's Market. In addition to running the table for a local tea shop, on Saturdays we also have a table to sell my girl's dolls and my art.
The other vendors are so friendly and it's a cool social atmosphere, so I'm not complaining. Anyways, there's a woman there who sells what she calls 'bird cubes' which are these cubical birdhouses. I asked if they were for cubical birds and the idea struck me and wouldn't let go. I just had to make this guy. He only took two days, and he's all hand-stitched with some stiff interfacing to hold the cube shape. There's an European robin on her business card, so that's what he's supposed to be, although I had to paint on the red.
The cube bird in natural habitat.
He's gotten a lot of good comments already when I gave him to her on Wednesday, and I'm hoping tomorrow she'll help direct business our way. Saturday promises to be busy for me anyway because we'll be out of here at 6:30 for the market, and then I'm working at the tea shop after the market until who knows what time of night. It's going to be a long day, and I probably won't get a real meal until dinner. Ah well. If we can sell some dolls or art, it's all good.

Friday, May 27, 2011

Day 38: Work underwater

I didn't technically create this project underwater, so I'm not sure if I quite met the spirit of the prompt, but for some reason the only idea I kept coming up with had to do with a children's book from the Serendipity series written by Stephen Cosgrove and illustrated by Robin James.The book I was thinking of is called 'Featherfin' and I know I had a copy when I was younger but it either didn't make the move across the country or is somewhere lost in the apartment. When I looked it up again the story itself came back to me, in which Featherfin (a fantasy eel with peacock feather designs) dreams about the big world above the water, all his (her?) elders say it's no place for an eel, but Featherfin goes anyway and almost asphyxiates on the beach before escaping back under the waves.
I'm not sure I really like the implications, but it's the illustrations that lingered in my mind. I suppose the message still makes it pretty appropriate for the prompt.
The underwater part of things is in the video below, but I made a little Featherfin eel puppet out of a few scraps of fabric and a wire. It took maybe half an hour to put together and half of that was cursing at the netting that's sandwiched between the green fabric because it would not hold still. I have my girlfriend to thank for the gorgeous green-gold metallic fabric, and the whole thing was done in a big fishbowl I've had set up but sans water, that I keep meaning to get a few fish for. Now that it's full of water maybe it would be less effort to get a couple fish than to drain it again... In the meantime, it makes a good theatre for eel puppetry.

Monday, May 23, 2011

Day 36 (Really?): Make the old look new

I hope somebody's still reading this blog, but if you are I bet you thought I'd given up.
I really apologize for the big gap. Life just kind of got away from me, partly because working a lot of odd jobs under the table can devour your time the way no normal job could. Part of that is they are multiple, and that means dashing from one place to another. Also a major portion of my time got eaten up painting a giant signboard menu. It's awesome to get a job like that everyone will see, it feels professional, but it took a lot more time than I'd anticipated. Anyway, I hope this one was worth waiting for, because I did put a lot of work into it.
With the assignment to make something old look new, I scrambled around looking for ideas until my brain fell on the metaphor of Neil Gaiman's 'American Gods'. The plot is a convoluted one, but at its core is the idea that the old gods of ancient mythologies do not die when we stop looking for them, but they are forced to either adapt or fade away. Some gods find it harder than others to make a place for themselves in the modern world, but the author makes some very plausible transitions. Some deities, in a very essential way, are still up to their old tricks even if they've learned to put a new face on them.
There are several gods portrayed in the story from various diverse cultures (including one whose legacy is the subject of another Neil Gaiman novel), but one I noticed missing was Ganesha.
I'm not a Hindu, I'm not really anything that's easy to define by the terms of organized religion (although I was attending a Unitarian Universalist church for a while, and have only stopped due to a hectic schedule), but Ganesha holds a special place in my mind. Back when I was in High School, or maybe college, I had an incredible and apocalyptic dream that involved the repercussions loss of religious faith the world over, and in it the only deity I actually came close to was Ganesha. It was in the form of a white stone statue, and at the time I couldn't even name what deity it was beyond 'that elephant-headed one from India', but the image was one brief pause in the chaos of the dream. It was a moment of resounding calm while the world was crumbling, and I stood before the statue and touched it, and it started to cry.
I don't see the dream itself as prophetic in any literal way, although there was some important symbolism in it, but an image like that really sticks with you. 
I have since learned a lot more about Ganesha, and collected a few little figures and a pendant. Of all the deities of the Hindu culture, Ganesha is without dispute the most widely revered. The myths around him and his status vary from one sect to another, but he crosses boundaries other deities apparently don't.
What it is about him that makes him so popular, I'm not sure, but even to other cultures he's probably the most easily recognizable. It's not just his cuddly, elephant-headed appearance that makes him endearing, but he's also usually represented as being fairly humble and easy-going.
He is known chiefly as the Remover of Obstacles, the guy that helps deal with roadblocks in your path. Depictions vary, but some of the more common things he's shown carrying are an axe and a rope, both useful for differing approaches to practical obstacles. I guess the ability to chop things down aggressively or work more subtly pulling something aside or someone through makes him a pretty versatile problem-solver. This version is also giving a sign of blessing, which can't hurt along the way, and carrying a lotus blossom to remind us to pause sometimes in all that work and enjoy where we are. He's also dancing... because it has to do with balance and moving through the world, or maybe just because he's that kind of a guy.
If you look at my previous progress posts, you might get an inkling of what kinds of old materials I used to make him. Nothing was purchased for this project, and most of it was old stuff that we had around and really didn't know what to do with.

His body itself is made from an old plush shirt that fit me in Middle School. I hung onto it because the material itself was so awesome. I want to add that my girlfriend gave me a lot of help on sewing the body, because our sewing machine has been busted and yes this thing is every single stitch sewn by hand. Only one material in the house struck my mind as right for his pants, and apparently it struck hers too, because the yellow fabric was actually a mostly-finished skirt my girlfriend had made for a doll. It was long since abandoned for reasons I can't fathom, and she let me cut it up. What he's wearing is actually called dhoti and it's one very long rectangle. I wrapped and tucked it just like the real ones, although I had to tack it down with stitches.
Beads are something we seem to have no end of, and yes I used lots. His rope is just some neat yarn, and his axe is actually a plastic one stolen from my pirate collection (remember those?), prettied up with some paint and beads and glue.
Lastly came the lotus flower, which is made with a technique a close friend of mine invented. It's colored tissue paper, a couple layers cut into circles with petals coming off them and strung onto the end of a piece of wire. Then you paint and shape them into place with clear nail polish and it magically makes it all translucent yet flexible and durable.
I leave you with that reminder to stop and enjoy life's moments, and I'll try to do more of that in the future by resuming this blog.

Sunday, May 1, 2011

Almost there...

This has taken longer than I wanted, but if I can just get the time tomorrow to finish him off, I'll be making a real post and get things back on track... I guess that was my spring break? Except that I spent most of it working odd jobs.

Wednesday, April 27, 2011

Slow Progress...

I haven't done so well on the daily updates, but I have been working! This is going to be a long one... still have the limbs to go, then embellishment. If you didn't guess what I was making before, there's a not-so-subtle clue.

Sunday, April 24, 2011

365 update: altering approach slightly

I guess my 365 project is evolving a little, partly because I've just been so busy. I love the idea of creating something every day, but I also like interspersing little easy-to-do projects with more interesting bigger stuff, and if I want that I'm just going to have to resign myself to knowing the bigger projects will take more than one day to finish. I'm happy with the end products for the ones that have taken multiple days, even though i was stressed that they were taking longer.
To keep myself on track I'm going to still try to post daily with updates, which forces me to still be actively creating every day, even though it takes multiple days to complete.
This one's going to take me a few days, but I'm getting a start on it right now, so here's a beginning photo. The challenge is to make something old look new. I'm not sure if transforming a really ancient shirt into a doll is quite in the spirit of the prompt or not, but it's all I could think of and I think it'll turn out cool...

Saturday, April 23, 2011

Working like a... rabbit... or something.

No post the past couple days, partly because I was helping get ready for this ->
These bunnies were part of our table at the Farmer's Market today, but it didn't do all that well, actually. I'm not sure quite what it is we're doing wrong, or maybe this just isn't the time to be trying to sell art and crafts, but we do everything we can to make money right now. That said, a big thank you to Heidi of Puppet-a-Day for buying some of our bunnies and making the day better!
For those who don't know, my girlfriend made most of these, we have an Etsy shop (although we're kind of working away from that, because we keep hearing and seeing bad things), and a FaceBook page for trying to sell my art and her dolls.
I partly made this!
We also sell the stuff at a table at the local Farmer's Market, but since I'm also there to run a table for a friend's coffee and tea shop, taking our business to a different market isn't really an option right now.
The other reason I've utterly failed on 365 projects the past few days is this entire week I've been running around like crazy, pretty much from waking up until past dark, at least. Sometimes into the next day, if I'm up late enough at night. Today I have basically done three different jobs, on about three hours of sleep. We're still behind on all our bills, of course. Everything we own is very old and falling apart, or a gift, or mostly both.
I'm very tired.
Anyway, have some bunnies to look at, and ask on the FaceBook page if you're interested in buying any of the ones we have left, and I will be working on my actual 365 projects again as of tomorrow. Tonight I still have paid work to do.

Sunday, April 10, 2011

Day 27: Dreams

I guess I should have known that making something based on a dream would turn out to be a longer project. I keep a dream journal, and I tend to have long, semi-coherent story-like dreams full of strong symbolism and mythology. Needless to say, I had a lot of material to choose from, and I even had multiple dreams that connect to books. I narrowed it down to two choices and in the end I'm not sure either one could have been done in a day.
The book shown here isn't a work of fiction, it's more a study of certain mythological symbols and what they stand for psychologically. The story of the Fisher King goes way back, and has been adapted into Arthurian legend. The king, as a young man, suffers a serious injury. Some versions say in the thigh, while others versions don't mess around and say it's in the genitals, the point being it's in the 'generative' region. He lives, but the injury will not heal, and he's left forever cold, or unable to feel, no longer able to enjoy life. The author links this to the psychological impairment of being wounded in the ability to access the passionate, warm, creative and feeling side of one's self. It's not strictly a masculine problem, but in Western culture men are encouraged to focus on the logical, practical side of things, to live more by 'cold' reason.
Don't ask how he drinks his coffee...
There's a lot more to the myth, which you'll have to read the book for, but ultimately it takes someone else to go questing and bring some symbolic thing (such as the holy grail) to heal the fisher king. It's an interesting analogy, and an interesting book. For another interpretation of the Fisher King story, I highly recommend you look up 'The Lazarus Heart' by Sting, even if just for the lyrics. He's said the song was inspired by a dream he had, which he later learned from a friend was the typical dream of the Fisher King myth. Apparently it's not an uncommon symbolism in dreams, and that probably means something.
Here then, is my own dream journal entry, dated 12/21/08 6AM-ish:

 
The initial setup of the dream reminded me of the movie Matilda, with my viewpoint character a very young girl with two inadequate parents.
Intelligent beyond her years and very self sufficient, the girl noted the absence of parenting in her life and was constantly dismayed by it. She was always sweet-tempered towards her parents but spent much of her time being left to entertain and care for herself. Sometimes there was a vague suggestion of a disinterested brother, which I think was my brain leaning on the movie, but half the time I had the impression she was an only child.
The mother was a genuinely loving but vapid and useless figure. She seemed mostly distracted with her own interests but truly affectionate when she remembered to show it. Affection came in brief bouts, clumsy and ineffectual, then she’d grow distracted and distant again without meaning to, until she realized her own absence and overcompensated to try to make up for it. The cycle was repeated so many times the girl just accepted it and was grateful for the periods when her mother was overindulging her to try to make amends, even though she knew that was a passing thing. The mother was very pretty, and vain, mostly concerned with her appearance and clothes and make-up. I remember an impression of blonde curls and frilly clothing, a vague kind of Marilyn Monroe-esque appearance.
The father was distant, cold, sometimes caustic. He regarded wife and daughter both with a proprietary air, but didn’t really want any close contact with either. He thought mostly of his work, kept apart from his family, and spent most of his time out of the house in his business. The only time they really saw much of him was in the mornings at breakfast, and late in the evenings when he finally came home from work tired and uninterested in talking to anyone. The mother accepted his manners with a kind of mild and quiet wifely fretting, bringing him whatever he needed in the evenings unasked and unthanked.
That's a working hinge made of metal tape on his side.
The dad’s appearance is where things get surreal. One of the reasons his cold manner was so accepted by others was that he’d suffered some kind of serious wounding in the past. His heart was gone, as were his lungs, and I think the right side of his face was just dark and cratered. The front of his torso unhinged and swung open like a panel, and whatever prosthetics inside that kept him going needed daily maintenance that required it. The man looked like some kind of Dave McKean creation. Early in the mornings he’d get breakfast for himself, moving around the kitchen with the front of his torso hanging open and fiddling with the interior while he drank his coffee. He was red and lumpy inside, but fairly dry. The man was a Fisher King if ever I saw one.
I had the impression everyone in the family moved on their own schedule without much contact with anyone else’s, although the little girl fairly often ate breakfast while her father was still getting his, and she watched him quietly because he didn’t want to be bothered. One morning in a fit of mothering, maybe on a weekend, the mother decided to make pancakes. I don’t think she was much of a cook because the process left the kitchen a horrible mess, and there was supposed to be big dark pieces of something in it, some kind of fruit. The father came in halfway through this, getting his own breakfast and coffee. As some kind of practical joke, he put cockroaches in the pancake batter (Don’t ask me where he got them from). The mother didn’t notice, and cooked them and served them up. The little girl just sat there looking at her pancakes, some of the big dark pieces fruit and some cockroaches. The mother was glowing, pleased with herself, and chatting gaily, and sat down and ate some herself. The father, standing by the counter with his coffee and his interior maintenance, silently laughed at the scene. Some of the cockroaches in the pancakes were somehow still alive, and moved, trying to escape the cooked dough there were now baked into, and that’s the only reason the mother noticed at all. There was no big horror reaction, but she was very surprised and bewildered how they’d got in there.
The next scene I remember was the little girl gathering up some of her most important belongings in a nice sturdy ornate box, maybe a jewelry box, and running away. The setting was vaguely my parent’s house with her running towards the hillside and up into the more large-scale woodsy scene it sometimes became in childhood dreams. Then it was on to a more park-like setting, again familiar as a dream setting; light woods with trails leading off to meadows mostly on the left, deeper woods ahead. She was headed off on one of the trails toward a meadow when she ran into what seemed almost like some version of myself with my parents, or some prosaic version of us. The older girl was someone she knew, and she was privately a little jealous at her nice stable parents and the whole cohesive family they made. They invited her to join them for a picnic, and she was a little afraid of joining them because she was worried they’d realize what she was out there for was to run away. She was nervous they’d return her home. She accepted their invitation only because she was worried not to would look suspicious, and they were very nice and polite to her but it was pretty obvious she was upset about something. Trying to make excuses I think she opened up her box and was talking about the things in it, and I think that’s how she found the little wrinkled, dried-up lump slightly smaller than her fist, dark dusty red and looking for all the world like a big prune. As soon as she saw it she recognized it and so did my brain, even though I got the impression she’d never seen it before. How it got into her box I don’t know and neither did she, but this was her father’s heart.
This is a poor substitute for a heart.
She had the idea that if she could somehow mend this heart and put it back in him, he’d be a changed man and might feel some affection towards her, which she longed for. At this point the dream swept along in vague narrative impressions, whisking frustratingly along like my brain was bored with the story now that it had worked out the resolution. Somehow the heart got outfitted with some small mechanical workings to enable it to go again, and these were basically the way a winding pocket watch works. He’d still have to maintain it. They carefully wound it up with the top stopper pulled up, and when put into place in his chest that was going to depress the stopper and it would begin ticking away. But it wouldn’t work with this alone, it needed the organic component it was missing, that was essential to the magic of making it work properly. A heart needs blood. With the help of some expert (I think the me-girl was helping her get all this accomplished, taking her to the watch/heart experts and all), the girl was going to donate some of her own blood to put into her father’s heart to make it work. I remember it being magically drawn from her chest, leaving her dizzy and drained.
At that point my subconscious decided it knew how the story would end so it was time to wake up, even though it was ridiculously early on a Sunday morning. I’m annoyed that happened. It was such a wonderfully symbolic story and I guess I was waiting for some kind of fun and interesting twist or something, but mostly I just wanted to see the ending.

Monday, March 7, 2011

Day 1: Start small

I thought I'd start this literary project off with a literary figure. This is Archy, and don't mind that he has the body of a cockroach; he's a firm believer in the transmigration of souls, because he was himself once a human free-verse poet. Now that he's a roach, his writing is accomplished by jumping on the keys of a typewriter, one at a time. He can't work the shift key, so there's no uppercase letters and not much in the way of punctuation, but that doesn't make it any less worth reading.
I'd like to see you try this.
What Archy has to say is often worth thinking about.

Archy was the creation of a man named Don Marquis, in 1916 when he was working for a newspaper in New York. He explained that he found the works of Archy sitting in the typewriter on his desk each morning, as long as he left a fresh sheet of paper in it. Through Archy he wrote some funny and insightful social commentary, and took us through a perspective on life from the bottom. Archy also wrote a lot about a cat he befriended, named Mehitabel, who lived a rough life but kept up a smile through her troubles.
I got my introduction to Archy and Mehitabel in a backwards kind of way, stumbling on them through the internet, which then got me to seek the stuff out in book form. This is the only book I have so far, a 1960 reprint of an edition that's been in circulation since 1927 and is apparently still being printed today, probably because everything Archy had to say is still relevant.
Archy surveying a night's work.


i do not see why men
should be so proud
insects have the more
ancient lineage
according to the scientists
insects were insects
when man was only
a burbling whatsit

hey boss this guy looks familiar
the bees got their
governmental system settled
millions of years ago
but the human race is still
groping

                    archy


Boy, are we ever.
The original illustration for Archy's newspaper column was a cockroachy bug with a big Salvador Dali style mustache, but later on the most popular and longest-used illustrations for Archy and Mehitabel were done by George Herriman, the same guy who created Krazy Kat and Ignatz Mouse. Yeah, Archy's only got two arms and two legs, and mostly he looks like a scuzzy little black jelly bean with a hat and some antennae. Still, it's the image most fans would associate with the character.

I made my 3-D version out of felt, wire, and paint, most of which I could reach without even getting out of the desk chair. I did most of the work on him at 3AM last night during a fit of insomnia, but that seems strangely appropriate, since he'd be writing those hours anyway. His head and body are hand sewn, face painted, and the wires for his arms and legs and antenna are just kind of jammed through the felt and stuffing. Each of those parts is one wire, and it allows for some good poseability, but he'd probably work better if I'd made a real full armature. The finished Archy is only two inches high, hat included, so I didn't feel like driving myself nuts trying it. He certainly came out flexible enough for some good photos. I may have gone overboard. I knew from the beginning I'd just have to lug out the typewriter for him to pose on, and I had to take two rounds of pictures because the first batch without the mini-tripod were crappy.
I'm pleased with how he came out, I guess he'll hang around the desk and be my mascot for the rest of the project.

You can learn more about Archy and Mehitabel, and read some of his other writings at the Don Marquis website, which also has some excellent links to more.

that was a lot to type exclamation point